http://snugs45.livejournal.com/ ([identity profile] snugs45.livejournal.com) wrote in [community profile] rsl_fans2016-02-10 02:30 pm

(no subject)

Thanks to Amy for all her hard work.
Here's another review (had to make a separate post kept getting spam message).

http://www.vulture.com/2016/02/theater-review-prodigal-son.html

There is this interesting bit at near the bottom:

Robert Sean Leonard as Hoffman does as much as possible with a character who doesn’t make much sense to us because Shanley, still seeing his teacher through a teenager’s eyes, cannot make sense of him either. That being the case, and knowing from the play that Hoffman, before he died, specifically asked Shanley not to write about him, I wonder whether this material was ill served, not just theatrically but morally, by its fully autobiographical treatment

I find it frustrating that the writer makes a statement and then leaves it hanging for us to contemplate any possible reasons. I wonder if those who've seen the play have any thoughts on this?

Posting this here as edit can't seem to add to list so will also add any other I find here. Please [livejournal.com profile] discofunction add to your original list

Have now deleted reviews that have been added to [livejournal.com profile] discofunction original list.
Will post any new ones I find any here.

[identity profile] discofunction.livejournal.com 2016-02-18 10:05 am (UTC)(link)
[livejournal.com profile] snugs45 and [livejournal.com profile] cuddyclothes, I thought you may be interested in this review (http://www.lightingandsoundamerica.com/news/story.asp?ID=-L3RKI1).

Somewhat more intriguing is Alan Hoffman, the literature professor, who is Jim's main benefactor, tolerating his sometimes insufferable behavior for the sake of his "extraordinary mind." Without explicitly saying so, we are made to understand that Alan inhabits the closet, and may have played a role in the attempted suicide of another student. It's easy to see that he is smitten with Jim -- but Shanley leaves this potentially explosive situation to so late that, when it finally erupts, it fizzles. The character is so underwritten, and occupies so little of the play's short 90-minute running time, that one might legitimately wonder why an actor of Robert Sean Leonard's stature was drawn to it

They reviewer also seems frustrated by the vagueness of his character. It seems this story would be better placed in a lengthy novel than a 90 minute play! Like the reviewer, I do wonder what RSL's attraction to the part was. Maybe just being back at MTC was enough of a draw!
Edited 2016-02-18 10:06 (UTC)